French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | Artist-s Father and Pagand | Mis Cessate in Louvre | The Bellelli Family | The woman beside th vase | The Morning Bath |
Related Artists:
Kole Idromeno
Kolë Idromeno (1860-1939) was an Albanian painter, sculptor, photographer, architect and engineer. He was born in Shkodër, where he learned the first elements of photography from Pietro Marubi. In 1876 he stayed for some months at the Academy of Fine Arts in Venice (Accademia di Belle Arti di Venezia), and then worked in the studio of an Italian painter. When back in Albania (1878), he engaged himself in a number of different activities, working as an architect, sculptor, photographer, scene-painter, engineer and painter. He was the initiator of the first art exhibition in Shkodër (1923) and was represented in the first national art exhibition in Tirana (1931). He established a very active photographic studio. Idromeno was the first painter to show motion pictures in Albania in 1912. He had kept up a correspondence with the Lumiere brothers in Paris.
CARACCIOLO, Giovanni Battista
Italian Baroque Era Painter, ca.1578-1635 Italian painter. He was one of the greatest Caravaggesque painters and the founder of Neapolitan Caravaggism. His Liberation of St Peter (c. 1615; Naples, Pio Monte della Misericordia; ) and Christ Washing the Feet of the Disciples (1622; Naples, Certosa di S Martino; see fig. 2 below) are masterpieces of 17th-century Neapolitan art, and attain a powerful and tragic grandeur.
edouard Joseph Dantan
painted Un Coin du Salon en 1880